Akaaki comes from the Bangla word আঁকাআঁকি—often used to describe drawing, mark-making, or the act of making without a fixed outcome. For me, Akaaki is a space of exploration, where ideas take form through material, repetition, and play. This body of work moves across clay, printmaking, and digital processes, holding experimentation and intuition as central to how the work emerges.
From Akaaki
making grows through touch, material, and time
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